With an Introduction by Dr. Lauri Ramey   & an After-word by Terrance Brathwaithe

click here for REVIEW BY LENNOX RAPHAEL

110 pgs / B&W-PBK- Coloured Cover   Distribution Rights: World Wide

RRP: £9.00 Special rates in USA/Canada/New World-Caribbean Wholesale prices available on request

RAKA Books is proud to announce the release of the long awaited new collection of selected poetry by Trinidadian born poet and cultural activist Dr. Roi  Kwabena.

A formal launch+Reading is planned for Waterstones High Street Branch in Birmingham,UK on Tuesday 18th September 2001 from 6.00 P.M. You are cordially invited to attend.

This unique collection consists of six sections that address issues of historical and cultural significance in relation to the Caribbean experience in the region and the wider Diaspora.Topics include responses by of the poet to the little known heritage of Caribbean Indigenous peoples; Caribbean Politics; Capital Punishment; Carnival;World Peace; Third World Debt Crisis; Global Warming; Disappearing Children;Murder-Suicides;& the underestimated value of cultural diversity in his place of birth.

Whether Or Not includes a concise glossary as well as the lyrics to the Spoken-Word Internet MP3 hits: Cascadura ,West India and Obeahman,. The latter poem/track has been on the charts for the past year (at number #5) at famed US based Internet music provider Rioport.com

URL REFERENCES:

http://www.rioport.com/Genre/1,4049,,00.html?genre=POET
http://rioport.com/RioTrack/1,1366,,00.html?tk_id=2003391
http://www.geocities.com/roikwa/spokenword.html
http://www.geocities.com/roikwa/bois.html

Copies of the Spoken word CD : Y42K by R.K features spoken word, and music and drumology on the BluePlanet label.are available on order by email: rakabooks@iemail.com

The poem: Forgive us our Debts was also included on the CenterPoint compilation CD album in support of the Jubilee 2000 campaign against the Debt crisis of developing countries.

EDITOR-PUBLISHER

AFROETS PRESS INTERNATIONAL PUBLICATIONS

RAKA PUBLICATIONS

TEL/FAX: +44(0)7092091861.

WHETHER OR NOT                       REVIEW BY LENNOX RAPHAEL

 Roi Kwabena's is celebratory poetry. He celebrates not only himself and the spirit of the time, the joy of being now & alive to the pulsating rhythm of the imagination, he salutes 'geographical' wonders & emotions, places & feelings that evoke/provoke memory in new ways of seeing the familiar. His is also a lyricism of re-naming, re-claiming, valorizing, putting the common-place in a proper ( and literary) perspective; the true baptism.

look,
take back these identities
you gave my wind-swept
volcanic rocks
st croix
st kitts
st eustatius
st vincent
st thomas

these names of saints
made hallow by some
christian praise ... yet
who have never, ever trod
our shores, bitten by sand-flies
nor mosquitoes
dem never even feel a hurricane
or even sucked mango or sugarcane

look, ...., we reclaim
ataiij
xaymaca

ayay
wadadli
liamaiga
aloi
yulema
playground of julica
our rainbow

I like the tone, the style, the outer-beingness & the inner saturation of civilizations & movements & the calypsoness of the semiotics, a style,a rhythm, an easy-going saga-thing line that is the stitching of the best of VS Naipaul, & (Samuel) Selvon, & Mustapha Matura, Trinidadians all of them, as is Kwabena, the Trinidadianess everywhere, the celebration of worlds, a picong, give&take&laugh, a message, slap & smile, a new criticism, calling a spade a spade (no pun intended) & knowing that spade is not shovel & shovelis not fork, celebrating life in language, doubles, erecting a civilization (without borders) in language, a structure of Time where everything isnamed 'whether or not' you like it so.

There is here an inner archaeology, an excavation, digging deeper & deeper, discovering levels of being, the art of seeing.

arrows of fish bone
spears
harvested from stone

The literature of history as a mocking pretender.

Kwabena's approach stimulates. Are things what they are, what they seem, because of who we are, how we feel, where we are? My first feeling after going through Kwabena's 'whether or not' is it must be read by others, mustget around - and not be just for my pleasure here in Copenhagen on this autumn spring morning in August, and when I read of

saints who have never, ever trod
our shores, bitten by sandflies
nor mosquitoes

I can think only of the vacation I spent recently in Kastellorizos, Greece, where the mosquitoes were awesome, inspired, truculent, not much buzz, but a lot of bite, as though, having lost their buzz to the cicadas, their bite (&after-effects) would be pure revenge.

One is impressed by a deep feeling for others (in Roi's Kwabena's world& imagination), a caring beyond the line, so the style is a style also of compassion, a generous & compassionate voice, and a place.

holy mother .... full of grace
we move in haste ....

- and, in the midst of all of this, Sour Chutney, the story of indrani and dhanraj, the story of the virginless bride, 1849 to now, Calcutta to the Caribbean, sex, salvation & suffering, simply told, searing, just enough pain to make innocence rhetorical.

the vengeance of kali
surely going to fall
on the family of ramdhanie

......ah cha ...

So the poet celebrates life & love and ' the unlucky blow' that imprisons the dhanraj in us,, no matter where we are; and reading these selected poems is like having a map spread out before me, a map of the world, and there is the Caribbean, the civilization of the Amazon, Africa, India. Europe, China, Birmingham.

stare at the
mocking shadows
on corporation street
devouring british beef ...

The poet celebrates by entrance - by entering the lives of others, the world-making-breaking others, by giving all souls equal play, an all-inclusive fete of feelings & ideas & trigger for thinking& dreaming and, well, one does have to say it, 'whether or not' is a stimulating dish, all these people-building, nation-building ingredients, and stirring the pot, well, the poet knows how to stir the pot, the light touch, the deep stir, hitting the spoon on the edge, tasting, scentedness, the sacred in the everyday, and Kwabena knows how (effortlessly) to make words taste like EATMORE ....... that's his mission

.... people as ingredients, making people come alive. stirring the pot of life, making nothing burn too much, and knowing when to lower the fire,

.....it's the morning of light
we see, beyond
the broken dispersed
fragments
of our aspirations

and one could very well echo the poet's clarity:-

Your nerve was
not only
in vein

I have been reading works by writers from the Caribbean, and by Caribbean I mean a world stretching from Mexico thru Central America into the West Indies beyond the Caribbean seas thru Venezuela into Brazil, the Amazonic mother lode I do read Naipaul, and anything written by him is worth reading, and is deserving of literary respect, and not to be taken lightly; and Naipaul is to be valued (or praised) for the sheer brilliance with which he clings to his calypsoness as style; and I must confess that reading Whether Or Not is my first experience in as many years as experience has letters that I have settled down with the work of a Caribbean writer; and, yet, this would not be altogether true because I recently read aloud, to my daughter, Papaya, Never Trouble Trouble, a delightful book of stories for children by Roi Kwabena:

About Lennox Raphael literary critic http://cafetv.dk/solo/lennoxsolo.html